elegy [el - i - jee], n.

​

a mournful, melancholy, or plaintive poem, especially a funeral song or a lament for the dead.

​

​

What if, at the conclusion of the Great Acceleration, we are left with only relics of our avian species – images, art objects, taxidermy, sound recordings, documentaries?  Or, will Nature ultimately persevere, leaving birds to roam through the relics of humanity’s past existence – ghost cities and towns?

 

Are we nearing the end of The Anthropocene, the proposed geological epoch dating from the commencement of significant anthropogenic impact on Earth’s geology, ecosystems, and climate? Natural disasters and extreme weather events have become ever more commonplace. Each year brings ever-accelerating numbers of extinctions to flora and fauna, creating domino effects that push delicate ecosystems toward collapse.  Birds play an essential role in the functioning of the world’s ecosystems, and countless bird species migrate seasonally, following food sources and thus becoming critical members of ecosystems spanning multiple geographic regions.  Humanity exists within, and depends upon these ecosystems.  The decisions our governing bodies make in one locale – regarding, say, water rights – can have devastating impact on migrating bird populations and thus on multiple ecosystems near and far.  Seeking a path to ecological optimism — that we might suddenly become responsible, selfless stewards of the natural world — lies at the core of my studio practice. 

​

​​​​​

​

A preview of this show was presented in the James Hibbard Gallery at Blackfish Gallery, May1 to June 1, 2024.  More works from this series will be exhibited in the Main Gallery of Blackfish Gallery in November 2024.